Donna Leonora Gweneth-Ann Jeffers with Don Alvaro Peter Auty [pictured, OHP] Opera Holland Park Chorus/City of London Sinfonia/Stuart Stratford Martin Duncan – Director The plot(s) felt even more confused than usual, the crowd scenes with large chorus were the least convincing. All in all one was left with serious doubts about Verdi having accepted the de Saavedra/Piave libretto with which he was saddled. And OHP ought to have considered a 7 p.m. start for this uncut version. The singing was from decent to just adequate, things decidedly better after the interval. Jeffers made a very good shot at Verdi's Leonora, rough in patches on the first night, but showing great promise. She was badly handicapped by Chitty's eccentric costuming, as were others too, such as Carole Wilson's under-parted Preziosilla. Best musically was the orchestra under the ever-reliable Stuart Stratford, a regular favourite at OHP; they gave us many of the more memorable moments. Peter Grahame Woolf The Times is no longer available on-line except to subscribers; I therefore copy their review of Forza here: It was interesting to return to the Kirov/Gergiev/Moshinsky version which we had reviewed for The Opera Critic 2002, and which proved to hold our interest and attention upon re-visiting years on, a welcome restorative :-
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