Bach Lutheran Masses etc Bach The King's Consort Kati Debretzeni and Cecilia Bernardini violins, Dorothea Vogel viola, A joyous occasion, given before a sold out Wigmore Hall audience which acclaimed one of the very best baroque music concerts ever. The programme was brilliantly conceived, sacred Festlicher Bach counterpointed with delicious instrumental items, all given by as good a group of early music specialist instrumentalists and singers as you'll hear anywhere; all the solos were taken brilliantly. They were welded into responsive ensembles under the taut yet flexible direction of their eponymous conductor Robert King, at the harpsichord for the more intimate items, standing to direct the full forces, their numbers just right to fill the Wigmore Hall stage comfortably. The programme book supplied full notes on the music, much of it 'recycled' as was normal baroque practice, with "regeneration always seeming to work even better than the originals" [Robert King]. Most surprising was Telemann in unusually adventurous style, with "a raunchy ouverture, whirlwind Tourbillon, rustic perpetuum mobile and a joyful final Gige" [RK]. At this last, one singer's very small daughter was waving her arms excitedly just in front of us. A winner, as was indeed the whole cunningly devised programme, which cries out to be recorded to join TKC's 95 CDs on their Hyperion discography, the Consort's line-ups reflecting the best of several decades of Britain's 20th C early music movement. Some of those discs are re-released on Hyperion's cheaper Helios label. Peter Grahame Woolf |