Verdi – Reductions for small orchestra Parma Opera Ensemble, leader Michelangelo Mazza Annick Massis – soprano Michael Storr Music – MSM0001 [ 60 minutes – 2005/2006] Un giorno di regno : Overture; Deh ! Lasciate a un'alma amante Before the dawn of recorded music it was accepted practice for versions of popular composers' works to spring up arranged for piano or small groups of instrumental players. It is fitting that a modern instrumental group, comprised of 10 players, should be formed in Verdi's home town to revisit these charming salon pieces. The selection is a far ranging one, spanning more than 50 years of Verdi's operatic writing, from his first unsuccessful attempt at comedy, Un giorno di regno to his final triumphant crowning glory with Falstaff . The items are presented in sufficiently chronological order to trace the development of his genius. A first class line up of singers has been assembled for the occasion, notably Annick Massis with a superbly lyrical Caro nome , Marco Berti a tower of strength in his duets from Attila and Otello , and the honey toned Francesco Meli who is heard in five items. The recording has an attractively bright sound, and my only reservation is the absence of texts or translations. The bonus DVD contains footage of the recording sessions and is makes an interesting extra. Puccini, Leoncavallo, Catalani , Franchetti , Pietri & Zandonai Marco Berti – tenor Michael Storr Music – MSM0002 1 CD - 34 minutes – Recorded April & September 2006 Puccini - La Villi : Ecco la casa; Edgar: Orgia,Chimera dall'occhio vitreo Hard on the heels of the excellent Verdi selection described above, is an even more tempting CD bringing together a gourmet's delight of delicacies from verismo period. Texts and translations are included this time, but no great detail about the operas, as these will be new to many listeners I feel a few comments on the repertoire are in order. Starting off with little known Puccini the recital moves appropriately Leoncavallo's Boheme , which still has the power to surprise with the switch of tenor role to Marcello. But then we venture into near uncharted territory with Chatterton¸ the uneven product of the 19 year old Leoncavallo, but clearly boasting at least one fine aria. A purist might argue that Catalani worked outside the v erisomo movement, writing operas more reliant on mysticism than true life, and following in the tradition of Weber rather than Puccini. However, it is a pleasure to hear something from La Wally other than the well known Ebben ? Ne andro lontan and even more so, Walter's dreamy nocturne from Loreley . Stirring epics were Franchetti's forte usually with a firm historical base. Germania is just such a piece, regarding the underground resistance movement during Napoleon's occupation of Germany, and is peppered with traditional German patriotic songs as evidenced in this aria. Giuseppe Pietri found success by blending the Italian verismo style with the more chocolate-box qualities of Viennese operetta with Maristella arguably the most popular following a successful debut in Naples in 1934. The final composer to be represented is Zandonai , firmly at the centre of verismo , although his Giulietta e Romeo strays quite a way from Shakespeare's original - a transgression that easily forgotten as one listens to this seductive love song. Marco Berti clearly relishes all this music, and the beauty of his tone is perfectly balanced by the POE's refined forces. At 34 minutes this may appear short measure by CD standards, but the richness of the fare makes it more than satisfying. Serena Fenwick
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