Mussorgsky Boris Godunov Matti Salminen, Brian Asawa, Stefania Toczyska, Albert Shagidullin, Philip Langridge, Eric Halvarson & Anatoli Kotcherga Orquestra Simfònica i cor del Gran Teatre del Liceu, Sebastian Weigle Stage Director: Willy Decker
A very successful production for home viewing, this version prior to Rimsky-Korsakov's re-orchestration. Whether it is the David Lloyd-Jones score (OUP, 1976) or another's is regrettably not clarified in the notes, but certainly it eschews Rimsky's colourful elaborations and sounds sombre and grand under the baton of Weigle. Willy Decker's pared down staging internalises the conflicts, with a huge symbolic chair to represent the power of the throne, and an image of the murdered tsarevich which causes Boris's disintegration and death. Simple costumes and stark effective lighting concentrate attention upon the impossibility of suppressing unxepiated guilt and preventing the dissolution of an ill founded monarchy. The images are haunting, with the crowd prominent, and the near naked Simpleton uttering what must not be said. Pimen, the hisorian, is embodied with Eric Halfvarson's superb, sonorous bass, and the false Prince Shuisky is England's marvellous Philip Langridge, not often seen as a "baddie". Another notable addition to the collection of filmed opera performances from Barcelona and, in our opinion, one of the best.
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Peter Grahame Woolf July 2006