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Gombert:
Naxos 8.557732 [Budget price] "a first-rate introduction to the richly textured range of Gombert's music" (Guardian, Feb 2006) The Flemish-born Nicolas Gombert (c1495- c1560) provides an important link between early Renaissance composers such as Josquin and the high Renaissance. This music is very impressive, pushing at the expressive boundaries of what the Renaissance language achieved. This is addictive music. Perhaps it will tempt you to seek out more Gombert in van Nevel's magnificent boxed set of Flemish Polyphony (Capella Sancti Michaelis/Currende Consort - Erik van Nevel) Eufoda 1160-69, which comes with a splendid book The fresh voices of the Oxford students give it all a youthful zest, and with a learned text (which goes into salacious matters of the composer's sexual proclivities) it is self recommending at Naxos's budget price.
ECM New Series 1884 [FP, recorded May 2002, released 2006] Good to have another CD to establish Gombert's individual voice as a leading figure between Josquin and Palestrina. Taken together, these two CDs We have here one of Gombert's parody masses, preluded by the motet on which it was based, and with others interposed as contrasts to the thicker texture of the Mass. He favours lower voices. Superb singing by UK's finest one-voice-to-a-part ensemble. The cover illustration is inscrutable and illegible, but the illustrations of scores are attractive. It is given with full texts, but in Latin only - but this music does not have any conventional word setting, so one listens to it as quasi-instrumental polyphony. See also Todd McComb's interesting Gombert links
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Dominum 
The Hilliard Ensemble
should help to combat his neglect due to the "unfortunate effects of the Josquin-centered historiography" (Jonathan Wainwright).