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Another evening at RAM:
- - the freshest experiences, and indeed the centre of London's musical life - - Public events at RAM occur with such profusion that late arrivers to the Historic Piano Soirée complained about its clashing with the simultaneous illustrated lecture-recital on Seventeenth-Century Italian Organ Music which they had been sampling. Three "thinking pianists" shared the Soirée, with informal discussions about piano making in Vienna and London, demonstrations by Elena Vorotko of Mozart on four early pianos of RAM's great collection, a plea on behalf of Clementi's best sonatas by Jeremy Eskenazi, and finally Daniel-Ben Pienaar discussing Mozart interpretation on modern piano illustrated by Lili Kraus's recordings, and on RAM's 1920s Steinway a carefully considered account of the great C minor fantasia which provoked vigorous audience reaction! Then straight down to the Duke's Hall for an enthralling marimba recital by Eric Sammut, with his own composition Ameline so melodious and evocative as to make you believe that the marimba was not a percussion instrument at all! His range of colours and timbres in arrangements of Gershwin's Porgy and Bess and Prokofiev's Romeo and Juliet were remarkable, and hearing this familiar orchestral music encompassed by four mallets was as memorable as Stravinsky's Petrushka at RAM on accordion duet. Friday 5th May Friday 5th May Friday 5th May
Duke’s Hall 7:30pm |